I work with ceramic objects and installations, which often take their starting point from how we humans value and perceive our built environment. Most often I twirl and thumb, both abstractly and figuratively, on a large scale. When I started at Capellagården, I left an intended professional life as an architect. I had studied to be an architect for three years and practiced for a year when I took hold of my strong desire to work with my hands. A lot fell into place during the time at Capellagården, and I got a good basis for working further in ceramics, both in terms of craftsmanship and ideas.
After Capella
After Capellagården, I applied for art courses and worked as a course leader in ceramics. I started a year ago at the Kunsthøgskolen in Oslo, where I am studying a master's in ceramic art. Here I have the opportunity to work with large-scale objects, which I enjoy. It is something special when the objects are given a size that relates directly to the human scale.
My advice
Learning a craft can feel overwhelming at first. But if you practice, take one piece at a time, the knowledge eventually falls into place. Suddenly you master burning curves and mission. Try different techniques and scales. It can surprise you what people like to work with. Learning different techniques also provides good material knowledge, whichever path you choose to take later. Also practice how you think and express yourself about what you do, take the opportunity to discuss your projects with your teachers. Trust your creative process, practice understanding how it works.
Also, take time to listen to the sound carpet of birds and insects waking up in the spring in Vickleby. A very special, leafy place that I wish everyone could experience.